(…) The soloist, Márta Ábrahám has found the golden mean between a spirited and a lyrical interpretation. We have received from her both the high-level technical preparation, the sweetly singing passages and the hushed crying heights.

Summing up briefly, we have been witnesses to a spectacular performance full of temperament, rich in contours and depths which found its stable support in the accompaniement of the orchestra. (…)

Rudolf Nammensma

Leeuwarder Courant

October 2003